Tag Archives: wildlife photography

Improving Stock Photography Results for Wildlife Photographers

Wildlife photography is a very competitive genre. It can be challenging to achieve returns from stock photography libraries. On the positive side, there is lots of demand for high quality wildlife images. If you can shoot a great portrait of a lion at sunset on an African tour you will likely be able to pay for your safari just from that shot. However, no matter what wildlife you are photographing, you are going to have stiff competition. I’ve written this post for the wildlife photographers wanting to make money via image libraries. Below are 5 tips for improving stock photography results for wildlife photographers.

Animal behavior creates more interesting images than just the animal

Tip #1 Photograph Animal Behavior

An image of an emu standing still in the outback is not likely to be as compelling as the animal doing something interesting. In this image, the emu is drinking from a water hole. The quick movement makes this much more difficult to photograph than an emu walking or standing still. By its nature that makes this image more unique. Tip #1 look to photograph animal behavior.

Tip #2 Cute Baby Animals Sell as Stock Images

I’m not sure you can have universal rules in stock photography. If you can, it would be that baby animal images will sell. Look out for baby animals and try to photograph them at their cutest. There is a large market for these images and photographing baby animals is likely to bring you a stronger financial return than photographing adult animals.

Tip #3 Look for Groups of Animals

Individual animals can be fascinating subjects, but groups of animals nearly always are. There is a natural chemistry that occurs as the animals interact and are aware of each other. This can make for captivating images as animals display individual and group behaviors. Look out for groups to help create interesting wildlife stock images.

Tip #4 Focus on Color

Bright, vivid colors can help you generate interesting stock images. Here, the amazing colors of the rainbow lorikeet in Victoria, Australia add strength to this image. Vivid colors occur in many places in nature. Look out for color to add interest to your wildlife stock images. More interest equals more potential sales. And more sales is the way to buy your next lens.

Tip #5 Capture the Relationship Between Animals and Humans

Animal – human relationships occur with animals in the wild but more frequently with pets. The relationship between animals and their owner can produce great stock images. Next time that you can’t get away for a trip into the wilderness, consider whether you can generate images which show the animal – human bond closer to home.

horse on farm Thanks for reading. Wildlife photography is a very competitive business. I hope these tips will help in improving stock photography results for wildlife photographers. For more reading please see 5 Tips for More Compelling Wildlife Images and 5 Tips for Making Images of Fast Moving Animals.

Shooting Wildlife Images Alongside Beyond Here Readers

Yesterday I had a unique experience – I was shooting wildlife images alongside Beyond Here readers. That’s a first! Bob and Rae are from California, USA and had read my post Favorite Wildlife Photography Locations. Looking back on that post, I wrote it in the first 3 months of Beyond Here. That’s a long time ago now, way back in mid 2014. It must have been meant for Bob and Rae as I even spelled ‘favorite’ with the US spelling!

There is a large group of Flying Foxes at Yarra Bend Park meaning we could shoot a variety of images.

Background

Bob and Rae contacted me a few months ago. We shared ideas on good wildlife photography locations for their trip to Australia. I made some suggestions for Melbourne and around Victoria, keeping in mind that transport can be tricky when you are in a foreign country where the locals drive on the opposite side of the road!

Fast forward to this week. They arrived last Sunday and contacted me by email. By chance, I had a fairly light week planned and had time to join them at Yarra Bend Park to photograph the large group of grey headed flying foxes which roost there. How cool. Shooting wildlife images alongside Beyond Here readers from the US.

Yesterday’s Shoot

We spent a few hours exploring the park and shooting images of the flying foxes. Bob found it a unique experience as he is used to small bats, not large flying foxes. The grey headed flying foxes are active during the day, so Bob was able to get a range of images. That included everything from bats hanging upside down sleeping in the trees next to the river, through to groups of them in flight.

We had a lot of fun and it was unique to be shooting wildlife images alongside Beyond Here readers. (It also helped Bob justify bringing his 200-500mm lens on a 16 hour flight to the other side of the world! You know you love your photography when you can justify that!)

The Wrap

It was a lot of fun meeting Bob and Rae and showing them around one of my favorite wildlife photography spots. It never occurred to me that writing Beyond Here back in 2014, I’d some day be shooting wildlife images alongside Beyond Here readers from the other side of the world just 15 minutes from my home.

Grey headed flying foxes have a large wing span

Bob and Rae are in Melbourne for another few days before exploring parts of New South Wales and Queensland. To you both, thanks for making time to say hello and explore Yarra Bend Park together. I hope your images from yesterday are good, and that you have a great time in Australia.

Thanks for reading shooting wildlife images alongside Beyond Here readers. Happy shooting.

Would You Give Your Images Away for Free

Every once in a while I receive an email asking to use one of my images for free. This happened earlier this week. The email was from a conservation organisation doing work to protect endangered species of animals. The request was to use one of my tree kangaroo images. I wonder, would you give your images away for free?

Here’s what happened

The email request provided me a link to the organisations website. I’m interested in issues around conservation so I took time to check out their site. They seem to be doing good work, and certainly had a very functional and well presented website.

This is a Goodfellows Tree Kangaroo. I don’t know if this is the image they were referring to.

There were 2 interesting things about this request:

All my requests for free use of images come from animal welfare and conservation organisations. That may be because I have a lot of animal images available through image libraries. Or it may be that they have found that asking for ‘free use’ often gets a positive response, and they can save money this way. Who knows?
They didn’t attach the image they wanted to use. Most requests do include the image they have found and want to use. I’m not sure if I’m too cynical, but this makes me suspicious. I do wonder whether this was a genuine request from an organisation doing good work, or was a copy and paste effort sent to hundreds of photographers?

So, my dilemma was what to do. Would you give your images away for free?

My Views

I have come across this situation before, and my opening stance is not to give images away for free. It’s not in my interests, and it’s not in the interests of other photographers. I have made exceptions in the past, but my opening position is that the user should be paying for images.

My Response

Here is my email response:

“Hi XXXXXX,

Thanks very much for your email. I checked out your website – congratulations on the fantastic work you are doing.

It’s good to hear you are going to feature the Goodfellows Tree Kangaroo. I follow the conservation efforts for them, particularly the work XXXXXX are doing with communities in Papua New Guinea.

In terms of images – I’m glad to hear you like one of mine. I hope you’ll understand that as a professional photographer I rely on royalties from licencing images to support my family, so I can’t provide it for free.

That said, I have many tree kangaroo images available to licence very inexpensively on iStockphoto. This link will take you there XXXXXXXXX

It should display prices in the local currency where ever you are. In Australian dollars it costs $13 for an individual image. If you need multiple images look at the one month subscription which lets you download 10 images for $40 (you can cancel after one month if you don’t have ongoing image needs).

I hope this helps.

Very best wishes for your work. I’ve signed up for the email updates and will look forward to the piece on Goodfellows Tree Kangaroos.

Regards

Craig”

Subscription programs make stock images affordable. I felt I did the right thing introducing this organisation to an image library where they can licence images cost effectively.

How would you handle this situation?

I feel like I’ve done the right thing by myself and other photographers. I also hope the organisation feel I’ve done the right thing by them – by introducing them to a cost effective way to licence images. The final piece of this story is just to add that my reply was sent 5 days ago. I haven’t had any response.

What do you think? Would you give your images away for free?

Shooting Moving Objects

Over the last 2 months I have been working with 5 other photographers to build a new image library. I didn’t know the photographers before we started the project, and it has been fun and challenging to work with them. One area that has become clear is that there is room for improvement in shooting moving objects. I have ‘grown up’ shooting sports and wildlife and selling prints. In that environment the images have to be in sharp focus. The 5 photographers are all younger than me and have ‘grown up’ in the era of Facebook and Instagram where there is less importance on fundamentals like having the image in really sharp focus. So here are a few pointers for shooting moving objects.

Focus Mode and Focus Point

Below is a straightforward lifestyle image of a woman walking across the road. This image can be very boring if she is standing still. Having her moving adds an energy to the image. So how do we maximize the chance of having her in sharp focus? Firstly we shoot in continuous focusing mode. I use Canon equipment, so on my Canon camera bodies that is AI Servo mode.

Use continuous focus mode and a single focus point to maximize your chance of a sharply focused image

Choose a single focus point to tell your camera where the focus should be. In this case I pre-selected this point before we walked across the road, and I aimed it at the model’s eye closest to the camera.

Shutter Speed, ISO, and Depth of Field

For the shot above I wanted to blur the people in the background so I shot at f2.8. It was an overcast but bright morning, so I used ISO400. I knew at this ISO and f2.8 it would mean I could keep a fast shutter speed which again helps keep sharp focus in the image. The shutter speed in this image was 1/1600s.

In older DSLR bodies I would be very careful about raising the ISO as it would result in grain in the image. But with modern DSLR’s this is not a concern, and is not a consideration at ISO400.

What Shutter Speeds Should You Work With?

The answer to this question is to practice extensively. I know from taking thousands of images of moving objects what shutter speeds maximize the chance of a sharply focused image.

Of course the speed the object is moving has an impact on what shutter speed you will need. Again, from experience, I know that in the case of the image above any shutter speed at 1/400s or faster will give me a good chance of a sharply focused image.

An image like this will have greatest chance of being in sharp focus if you shoot at 1/400s or faster

In the case of kids sport – I have shot many basketball games and know that 1/800s might not give me sharply focused images when the kids are running at full speed. At 1/1000s or faster I have a much better chance.

And for fast moving wildlife like the grey headed flying fox below, I’ll be aiming to shoot at 1/1600s or faster.

Shoot A Single Frame or Multiple Frames?

Like everything in photography (!) the answer is up to you. I like to shoot multiple images to give me choice among the images and as ‘insurance’ if one shot is out of focus. I shoot images of fast moving objects in burst mode and shoot 3 or 4 images each time.

This image was shot at 1/2000s to freeze the action of this fast moving flying fox. It was shot in burst mode.

If you are serious about your photography and committed to producing sharply focused images you’ll need to master shooting moving objects. Think for a moment about the possible scenarios – sports, live music, lifestyle portraits, stock, wildlife, wedding, events. The list goes on. If you can’t shoot moving objects well you are going to significantly reduce the options for earning money from your photography work.

I hope these quick pointers will help you with shooting moving objects. Next step – lots of practice! Happy shooting.

5 Tips for More Compelling Wildlife Images

Wildlife photography is a hugely popular field for both amateur and professional photographers. Here are 5 tips for more compelling wildlife images.

Look for pairs of animals to add a new dimension to your images.

Tip 1 – Look for Pairs of Animals. Solo portraits of animals can make compelling images, but pairs of animals add a new dimension. There is the relationship between the animals and the interaction between them. Look out for pairs of animals.

Baby animals are great subjects for wildlife photography

Tip 2 – Photograph baby animals. If you want people viewing your images to “ooohh and aaahh” then build a gallery of images of baby animals. There is something about the cute, vulnerability of baby animals – as well as the connection with the parent that is guaranteed to create compelling images. Koalas, like in this image, spend the first few weeks of their life in their mothers pouch. When they become too big, they are transported on their mothers’ back. This period is an ideal time to shoot images which include both mother and baby. Inevitably the baby will be looking small and cute, and mum will be alert in protecting her young one.

Animals in action. A flying fox carrying its baby.

Tip 3 – Look for animals in action. Animals in action, engaging in natural behavior are always more interesting than animals doing nothing. This is particularly why you get very different types of images when you photograph animals in the wild compared to animals in captive environments such as zoos.

In this image, the grey headed flying fox is flying through the air. If you look very closely you can see that it is carrying its baby at the same time. The baby is clinging to its mothers’ chest and will continue to do this until it is large enough and strong enough to fly alone. This image also emphasizes one of the key features of this animal – the spooky vein structure which is visible in the wings. When you are planning your wildlife shoot, consider what feature of the animal you are photographing you want to highlight.

A very low angle makes a compelling image of a common animal

Tip 4 – Shoot from unusual angles. Ducks are very common birds where I live in Melbourne, Australia. In creating compelling images of common animals, look for different angles to shoot from. In this case I lay down at the edge of the lake, to shoot an image from the duck’s eye level. For more about this shoot, please see this post.

The Goodfellows Tree Kangaroo is an endangered species from New Guinea

Tip 5 – Photograph unusual wildlife. Unusual wildlife make compelling images. This image is a Goodfellows Tree Kangaroo. They are native to New Guinea and are now an endangered species. Images like these are compelling, not only for the beautiful colors of the animal, but also because most people will never have seen this animal. Look for unusual wildlife for more compelling images.

Thanks for reading 5 tips for more compelling wildlife images. Good luck with your wildlife photography.

Why Make Time to Shoot Personal Projects?

Running a small photography business can seem like a never ending challenge – finding new clients, planning shoots, doing the shoot, editing images, posting to social media, organizing albums and prints, delivering the finished product, and repeat! Yet we constantly hear about the importance of personal projects. I have both long running personal projects and shorter ones. They are a great asset for me and my business. So, why make time to shoot personal projects?

Shooting images of Australian wildlife is a long running personal project of mine

What sort of personal projects am I talking about? When I am not shooting weddings I shoot images for my stock photography portfolio. When I’m not shooting a specific theme for my stock photo work I will shoot a personal project. An example would be Australian wildlife images. I am a wildlife fan, and believe in the work being done by conservation organisations. I enjoy shooting wildlife images, and it feels good to know that conservation organisations can access those images at a very affordable price through my stock photo portfolio. I shoot Australian wildlife images and take particular interest in shooting images of endangered species.

I have taken up Getty Images brief for my latest personal project, ‘re-picturing femininity’

I have recently started a new personal project which I am also going to use for my stock photo portfolio. As an exclusive contributor to iStockphoto, I get access to the Getty Images briefs written for photographers. One of those looks at the theme of ‘re-picturing femininity’. That is, showing girls and women in a new light. Not traditional roles, but the new women of today – leaders, working mothers, trades people, and more. It is exciting to think that the images I shoot can have a small impact on the images available in this category. I’ve completed shoots showing women as business leader, corporate regulator, pilot, and athlete, with many more to come.

Personal projects make a difference and are fun.

So, why make time to shoot personal projects?

1. It fuels the passion! Shooting for somebody else or trying to shoot what somebody else will like is ultimately hard work and draining. If you are in a cycle of weddings every weekend, or corporate head shots every day, try something different to fuel the passion. Re discover what you love to shoot and why you picked up the camera in the first place.

2. It makes a difference. A difference to what? The causes you believe in, and to you. Shooting wildlife images may not appeal to everyone but it provides needed images to conservation organisations. That is important to me – so it makes a difference to know that my images are helping wildlife.

3. It lets you experiment. It is not easy to keep learning new things on every shoot, and if we are shooting weddings each Saturday that’s not the place to practice or experiment. That’s the place to make sure the bride and groom have a great day, and that you create great images. Personal projects on the other hand give you opportunities to experiment, to try new things, and to push your boundaries. Shoot a close up with a 400mm lens – just because you can.

4. Personal projects attract like minded clients. Clients who share your interests will be attracted to your work. I have several wedding clients who first came across my work through my wildlife images. We instantly had something in common and an easy talking point. Shooting personal projects will attract like minded clients.

5. It’s fun! Yes, it’s fun to shoot personal projects! For that reason alone we should be able to find the time.

Thanks for reading ‘Why Make Time to Shoot Personal Projects?’

5 Tips for Making Images of Fast Moving Animals

This morning I visited one of my favorite wildlife photography spots – Yarra Bend Park in suburban Melbourne, Australia. It is about 20 minutes from where I live and has a colony of thousands of flying foxes. If you’d like more details about where to find Yarra Bend Park, please see this post.

I was there for about 1 hour and made a wide range of flying fox images. Here are 5 tips for making images of fast moving animals.

Fast shutter speeds are required for fast moving animals

Tip 1 – Continuous Focusing Mode

When an animal is moving quickly, getting it in focus is key to a successful image. Use continuous focusing mode on your camera to track the animal as it moves, and to give you the best chance at an image in focus.

Increase ISO to help with fast shutter speeds. This shot was taken at ISO400.

Tip 2 – Increase the ISO

To allow a fast shutter speed you may need to increase the ISO setting on your camera. In the images posted here the ISO ranged from 400 (for the images shot against the cloudy sky) through to 1250 where I was shooting against a dark green background.

Tip 3 – Fast Shutter Speeds

The combination of continuous focusing mode, ISO, and fast shutter speed will give the best chance for sharply focused images. In the flying images here I have used 1/2000s for the majority of these images.

Tip 4 – Expect Lots of Failures

When animals are moving quickly you will have a large number which are out of focus or not well composed. Don’t be upset, this is normal in wildlife photography. You will find that your percentage of good images increases with practice.

Be alert for the opportunity to shoot strong images when the animal stops

Tip 5 – Look for Strong Images When the Animal Stops

It can be tempting to only shoot the animal as it is moving. Resist this urge, and create some very different images when the animal stops. The flying foxes roost in the trees given an excellent opportunity for images as they hang upside down.

Thanks very much for reading 5 Tips for Making Images of Fast Moving Animals.

Practice will increase your percentage of successful images.

Shooting at Eye Level

Want to add more interest to your wildlife, nature, or children’s shots? Shooting at eye level will do it. The alternative is to shoot down on to your subject. While that downward view is the one we see most often with our eye, shooting at your subjects eye level is almost always the more interesting shot. This technique works particularly well with wildlife, children, and flowers. It can take time and effort to get down to your subjects level but it will be worth it for the unique angles and improved shots.

Here are 3 examples.

Shooting at eye level here meant lying on the ground

In this image of a duck paddling across a lake it was tricky to get down to the duck’s eye level. To make this shot I lay face down on the ground to get a “duck’s eye” view. People walking past would have thought I looked a little strange (!) but I achieved a series of interesting wildlife images – all taken from a duck’s eye point of view. It was a calm day and the reflection was a bonus.

In example two, a child on his father’s shoulder, it was much easier to shoot at eye level. For this shot, the father was holding the son on his shoulder trying to calm him down. Rather than being ‘down time’ in our family portrait session, it was a great opportunity to shoot an eye level portrait of the child. And briefly he stared directly at me. Nice one.

Shooting at eye level will add interest to children’s portraits

Example 3 are tulips. Rather than shooting down from above flowers, try getting down very low and using the sky as your background. It eliminates a muddy, dirty background and replaces it with a blue plain background which highlights the color of the flowers. It isn’t strictly ‘shooting at eye level’ but it is a very different angle than shooting down from above. It can be challenging to shoot flowers differently – but getting down very low is a great place to start.

Shooting flowers from a very low angle can create unique images

Shooting at eye level often produces outstanding images. Keep this in mind next time you are shooting wildlife, children or flowers.

Making This Waterbird Image

Wildlife photography continues to grow in popularity as prices of high quality digital cameras and zoom lenses continue to fall. Enthusiast photographers are picking up the challenge and creating great wildlife images. Here are some tips from one of my heron images. Read on for details on making this waterbird image.

A combination of high overhead cloud, a clean background and a great reflection make this image work

This image was taken at Albert Park Lake, just a few kilometers from downtown Melbourne, Australia. (If you are a motor racing fan, this is the lake that the Australian Grand Prix Formula One race goes around).

This shot was taken in the early morning, with high overhead cloud and no wind. In fact, it was a surprisingly still morning.

What makes the image work:

(1) Lighting. The high cloud results in very even lighting on the bird. There are no harsh shadows from sunlight. Melbourne in the winter gets a lot of cloudy weather which is ideal for evenly lighting outdoor subjects.

(2) Background. I had to walk to get to a position where there were not reeds or other distractions in both the foreground and background. Having a clean background increases the focus on the subject, and that has worked very effectively here.

(3) Reflections. Still days can create great reflections in water. You can get them in lakes, but also smaller areas of water. Even puddles can provide great reflections. I composed this image to include the reflection as a key component of the image.

(4) Focus. This image was shot at f2.8 using a single focus point aimed at the birds eye. This has provided very sharp focus on the bird. If you are looking to increase the quality of your wildlife images, try using a single focus point and aiming that focus point at the subjects eye (use this tip for portraits of people as well)

(5) Distance. Being some way back from the heron means it was going about its normal business without really being aware of the photographer and the camera. This image was shot with a 70-200mm lens at 200mm on a crop sensor camera (effectively given the equivalent of a 320mm zoom).

(6) Crop. I have cropped this image to square format to fit with the shape of the heron. It worked more effectively in this format than as a horizontal dimension image.

I hope these tips have been useful in understanding making this waterbird image. Best wishes with your wildlife photography.

Add Interest to Your Wildlife Images

I am a big fan of wildlife photography. The world around us is amazing and so are the animals in it. Here are 8 quick tips to add interest to your wildlife images.

Multiple animals in one image adds interest

Multiple Animals. A single animal on its own can create a great image, but multiple animals in the frame adds real interest. The image becomes about that type of animal, but also about the interaction between them. These corellas look like they are working as part of a team to keep an eye out for potential danger.

It is harder to shoot multiple animals in one frame – but look out for these opportunities. They are a good first step for how to add interest to your wildlife images.

Look out for baby animals to add impact to your images

Baby Animals. If you want to get a strong reaction to your wildlife images, look out for baby animals! There is almost a guaranteed ‘wow’ if you can shoot images with baby animals in them.

In this image of a red kangaroo and her joey, it appears that the joey is peering out from the protection of its mother to see what the photographer is doing.

The size difference between the two animals, and the cute ears, mean added interest to a single animal or two adult animals. Baby animals are a very easy way to add interest to your wildlife images. I wrote a previous post about this, which you can see here.

Clean Backgrounds. Like with any sort of portrait a clean, clear background will help your subject to stand out in the image. And this will help focus the viewers attention on the subject.

A clear background of the lake helps focus attention on the black swan

This image of a black swan was taken in Perth, Western Australia. Fortunately when swans flap their wings like this, they tend to do it several times. This enabled me to get in a position with a clear, water background. It has no distracting lakes edge, or reeds, or people walking past the lake.

When you are next out shooting, see if you can add interest to your wildlife images by removing any distractions in the background. Clean backgrounds help to produce compelling wildlife portraits.

Interaction creates interest

Interaction. One of the benefits of having multiple animals in your image is that you will often see them interacting. Not only can you get a great image of the animals itself, your image can provide insight to the connection between animals. Wait for the moment when the two animals connect.

Shoot close up with a long lens

Close Ups. Getting really close up can add a lot of interest to your wildlife images. Through your camera and your image, you can provide a view that is not possible to the human eye. This cockatiel pair would not let me get this close if I was standing near them, but with a zoom lens we can see them in close up.

Blue billed duck reflected in the lake

Reflections. Reflections can add a lot of interest to your wildlife images. I wrote an earlier post about this which you can find here.

This is a blue billed duck. See the interesting reflection in the lake. Good reflections need still water. Often the best time for this is in the early morning.

If you are an early riser, take advantage of the reflections at this time of day.

Look for animals in action

Action. Animals in action adds a lot of interest to wildlife images. This bird is a grebe and this shot was taken at a lake in Perth, Western Australia. It is common for these birds to run across the top of the water. Be patient and use a fast enough shutter speed to freeze the action.

Look for color to create interest

Color. Animals come in a very wide range of colors. Bright colors attract our attention in any image. Look for bright colors to add interest to your wildlife images.

That’s it for 8 quick tips for how to add interest to your wildlife images. Happy photographing!