Tag Archives: sports photography

5 Tips for Photographing Basketball

I photograph a lot of basketball. Over the last 5 years this has mainly been kids basketball, and in the last 12 months much more senior basketball. Basketball can be tricky to shoot – it’s fast moving, players movements are unpredictable, and often it is in dark stadiums. Here are 5 tips for photographing basketball.

Tip #1 – Use Fast Shutter Speeds to Freeze Action

Basketball is a fast moving sport. In the junior age groups there is lots of running and dribbling. As the players get older there is more passing and shooting. Whether you are shooting juniors or seniors you’ll need to shoot at 1/1000s as a minimum to freeze the action and have sharp images.

Use fast shutter speeds to freeze the action. This shot is 1/2500s.

Tip #2 – Shoot Close Ups AND more Distant Images

The first image in this post shows a close up of the player as she drives to the basket with a defender right in her face. These make interesting images as they show what spectators can’t see in a fast moving game. Shoot plenty of close up, and don’t forget to shoot images which show more of the game, the court, the spectators and the scoreboard. Look to shoot a variety of images which show all aspects of the game, not just player close ups.

Shoot a wide variety of images at different focal lengths

Tip #3 – Look for People Interacting

Action makes great images, and interaction between people makes great images. Look for interaction between team mates, between one team and the other, between coach and players, and particularly between referees and coaches. Tip number 3, look for people interacting.

It’s very common for the referee and coach to have a discussion. Look for that interaction to create strong images.

Tip #4 – The Bench is a Great Source of Images

You may not always think to look to the bench, but ironically this is where you’ll find a lot of players. And where you find players you find interaction, communication and emotion. Take time to shoot the emotions you find on the bench.

Take time to shoot images of the bench. Here you’ll find a lot of interaction, communication and emotion.

Tip #5 – Shoot Close Up Details

My final tip is to shoot what a spectator can’t see from the stands – the close up details. It might be a player lacing up their shoes, the facial expressions in a timeout, or the moment before a free throw is attempted. Zoom in to see what a spectator can’t see – shoot the close up details.

Thanks for reading 5 tips for photographing basketball. Happy shooting.

Thoughts from Photographing A Major Gymnastics Competition

Last week I was photographing a major gymnastics competition, the Gymnastics World Cup competition held in Melbourne, Australia. I’ve shot a fair amount of gymnastics in the last year – from recreational gymnasts through to some of the world’s best. Here are 5 thoughts from photographing a major gymnastics competition.

Thought #1 – Subject Matter Matters

Photographing a World Cup event is very different than shooting recreational gymnasts at the local club. The strength, flexibility, and balance of the top gymnasts is quite amazing and leads to unique images that can’t be produced with less capable athletes. So, thought number one from photographing a major gymnastics competition is that subject matter matters. If you want to shoot really unique images, it helps to start with subjects who can do unique things.

Gymnast doing back flip on beam — To produce unique images it helps to start with subjects who can do unique things

Thought #2 – Be Different

In the women’s beam competition there were 9 photographers located to the right and back of the image above. They were literally on top of each other shooting the same subject from the same angle (I took a photo of them to amuse myself). While there is an argument that there is a “best position” to photograph each apparatus, be brave enough to be different. I stood on the opposite side of the floor. It meant I didn’t have a great shot of the women’s beam competition, but I was the only photographer shooting the men’s vault. Vault is difficult to shoot so many photographers decided not to. I like the opportunity to shoot unique images. Be brave. Be different.

Men's vault competition. Gymnastics. — I know the images I shot of the men’s vault competition are unique as I was shooting all alone. All the other photographers were together shooting women’s beam

Thought #3 – Look for Bold Colors

Gymnasts wear unique clothing for their competitions. They range from simple all black or all white, through to multi colored and patterned designs. Looks for bold colors to help create strong images. Particularly look for reds and blues. Bold colors will help your images stand out.

Male gymnast doing rings — Bold colors (especially reds and blues) will help your images stand out

Thought #4 Shoot a Range of Apparatus

At some gymnastics events there are multiple apparatus going at one time. In that case you have to choose which one to shoot, or get lucky and find a position where you can shoot multiple apparatus from one location. At this event, there were only 2 apparatus operating at one time. That made it easy to make sure you created variety in your images by shooting different activity. It reminded me to shoot a range of apparatus so your images don’t all look the same. That’s thought number 4 from photographing a major gymnastics competition.

If you stay on one location your images will look similar. Move to different locations and shoot different apparatus

Thought #5 Interesting Images Aren’t Only of Competitors

At a big sporting event there are lots of people and lots of activity. There are many compelling images waiting to be made from people other than competitors. Keep an eye out for judges, coaches, spectators, and other people involved in the event but not directly competing. Shooting these images well will guarantee you produce unique content.

Keep an eye on judges, coaches, spectators and other people to produce unique images

If you’d like more tips on shooting gymnastics please see:

5 Lessons from Photographing Gymnastics

5 More Lessons from Photographing Gymnastics

Thanks for reading Thoughts From Photographing a Major Gymnastics Competition.

Photographing 1000 Junior Basketball Players

Last month we photographed the Southern Peninsula Junior Basketball Tournament. It is an annual tournament held in November just before the start of the rep basketball season. This year the tournament featured 440 teams and was held at 14 stadiums and 34 courts around the Mornington Peninsula, Victoria. Those numbers speak for themselves – it is a very popular tournament with over 4000 players participating.

What were we photographing?

This year we photographed the under 12 division. We were shooting action portraits as the players competed. (Ironically the photo below is from the one under 14 game we photographed!)

Low light and fast action was a challenge

My understanding is that this is the first time the tournament has partnered with a professional photography business. The under 12’s featured 107 teams and over 1000 players. It was quite a challenge photographing 1000 junior basketball players.

How did we manage that?

We had 6 photographers across multiple venues on the Saturday and Sunday of the tournament. We aimed to shoot each team at least once, and photographed 70 games over the 2 days. That resulted in close to 10,000 action portraits featuring everything from young players new to representative basketball, through to some of the best under 12 players in the state.

Behind that was a lot of planning and scheduling about which photographers needs to be at what location shooting which game. I won’t sugar coat this – the planning was a very significant logistical challenge.

How was the lighting in the stadiums?

Tournament play was on 34 courts in 14 different stadiums. Some stadiums are new and well lit while, on the other hand, others are 30+ years old with no natural light.

We were aiming to shoot at 1/1000s to freeze the action. To achieve that we were shooting at high ISO – up to ISO8000 in one very dark stadium. It is amazing that today’s modern cameras can shoot fast moving action in this environment.

The wrap up

It was fun to see the kids in action, and a thrill to see them excited about the photos. Prints and digital downloads are available to order through password protected online galleries. The galleries are open for another 2 weeks and already it is a nice surprise to see how how popular prints are. I’ll save more of that for another Beyond Here post. Hooray for prints!

It was great to work with a strong team of photographers and reassures me that we can tackle bigger sporting events in the new year.

Thanks for reading ‘Photographing 1000 Junior Basketball Players’.

Suggestions When Applying for Photography Work

Later this month I will be shooting a large junior basketball tournament. It’s run over a weekend and is very popular tournament. The dates are the week before the representative basketball season starts making it an ideal preparation for the season ahead. I’ve been looking for several photographers to help across one or both days. This hasn’t been a smooth process! So, for all the photographers out there, here are some suggestions when applying for photography work.

Be Clear on Dates and Availability

I posted a job ad on Starnow outlining that I am looking for sports photographers. It clearly outlines the dates of the job, yet I have had some photographers apply without being available for the specific dates. It isn’t much good applying for a job when you are not available. Check dates and availability before you apply to avoid wasting time.

Respond to the Specific Requirements of the Job

For this shoot, photographers will need to provide their own equipment. I want to know that the photographers are using camera bodies and lenses which can produce good quality images in indoor stadiums. To all the applicants credit, they have all outlined the equipment they will use. That has reassured me they are using equipment which has the capacity to produce the quality needed.

Be Ready for Photography Job Opportunities

This job is photographing players under the age of 18. For that reason I’ve advised that photographers will need to have a current Victorian Working with Children Card. I’m really surprised that some photographers don’t have one, and yet still apply for the role. I’ve responded to them immediately advising that they can’t be considered for the role without one.

I also ask that photographers have their own public liability insurance. If something goes wrong they won’t be covered by my insurance. Again, there are people applying for the role without insurance. You will struggle to convince me that you are a professional photographer operating a business without insurance.

If you want to get regular photography work, have the basics in place – insurance and working with children permits are important. Having them will open up many more opportunities for you. Go ahead and get them in place.

Provide Links to Previous Work

Several of the applicants would like to get into sports photography or have done a small amount of similar work. That’s not what I’m after for this job. I need people who I know can do the job, because they have done it plenty of times before. If you want to immediately establish your credibility, and reassure the job poster that you can do the job, provide a link to an online portfolio of related work.

If you have relevant experience be sure to mention it in your application

Respond Promptly

With a job which is two weeks away, it’s in everyone’s interest to communicate quickly and clearly. If an applicant doesn’t respond for several days, I will assume they are not very interested in the job. On the other hand, if they respond very promptly and make themselves available for a face to face meeting in the near term, that demonstrates a level of commitment and a willingness to take on the work. Respond promptly. It will impress the job poster and make organizing the job easier.

Respond Professionally

At this event, the photographers will be representing themselves and also my business. I want to know they will treat the players, officials, and spectators appropriately. That will include displaying a high level of professionalism. It won’t help your credibility if your communication is unprofessional from the outset, so take the time to make sure all of your communication is professional.

Outline Relevant Background

There are not a lot of photographers out there who have shot lots of junior basketball. That said, it is worthwhile outlining other relevant background. For this type of job, if you have photographed other fast moving indoor sports that is worth mentioning. If you have played and watched a lot of basketball, that is worth mentioning too. Both elements would increase my level of confidence that the photographer can do the job with minimal supervision.

Thanks for reading Suggestions When Applying for Photography Work. I hope it is helpful to you. If you happen to be in Melbourne, Australia and would like to shoot some basketball later this month, please make contact!

Thoughts on Successful Photography Businesses

I often get asked about secrets or insights to running successful photography businesses. I’m not sure there really are any secrets, so I’ve called this post thoughts on successful photography businesses.

For the State Champs we’ll be back at the same venue as Winterfest

This week I had a reminder of 3 things that are important in running successful photography businesses. The reminders came about after I was asked to shoot the cheer leading and dance Victorian State Championships in 2 weeks time. I have written two posts earlier about my experience shooting a large cheer leading and dance competition. You can read about those here:

So what are those three thoughts on successful photography businesses?

Thought #1 – Happy Customers are Key

I apologize for the simplicity of thought #1! That said, it is worth repeating and digesting – happy customers are key. I do all I can to make sure my customers are happy as that will lead to referrals and other business opportunities. Most times it is easy to make customers happy. The real test is when things go wrong. In that case I’ll do everything possible to put it right, even if it means I lose money on that job.

The opportunity to shoot cheer leading came from doing a good job shooting gymnastics

In this case my ‘customer’ was the national sports photography business I was shooting for. I knew that they needed good, reliable photographers in Melbourne. Doing a good job at the first event I shot for them has lead to a follow up job.

Thought #2 – Repeat Business is Important

Happy customers leads to referrals and also to repeat business. Again, in this scenario, the national sports photography business have multiple events in multiple locations all year round. As it happens, the State Champs are being held at the very same venue as the event I shot with them a few months ago. This will make this job relatively straight forward and definitely low stress.

I know the people I’ll be working with, the venue we are shooting at, and the sport we are covering. That’s the beauty of repeat business. From the national sports photography business point of view, they know I’ll do a good job and will be reliable. Win win.

At the State Champs I’ll aim to take some phone shots which aren’t quite so blurry!

Do you have repeat business opportunities? Can you create some by following up with some of your happy customers?

Thought #3 – Relationships and Communication Drive Everything

Behind the national sports photography business are people. (Amazing insight isn’t it!) In this case I was able to connect with the owner of the business at the first event and strike up a good relationship. She lives in a different state, and since then all our communication has been via email. She is easy to deal with and a good communicator. I try to be the same in return. It is good for both of our businesses to work on relationships and communication. So, it’s more than just being a good photographer, it’s important to be a good partner. Relationships and communication facilitate that.

No genius insights this week – just reminders of good business practices. Thanks for reading thoughts on successful photography businesses.

More Win Win Win Photography Ideas

Earlier this year I wrote a post for Beyond Here called Win Win Win Photography Business Thinking. It came from a meeting with another photographer who had found ongoing photography work that benefited all parties. I continue to look for photography business ideas which have multiple winners. Today I share more win win win photography ideas.

Indoor sports with large participation numbers are ideal for win win win photography ideas

The Opportunity

I’ve shared in a number of posts that I am shooting more and more sports and in this field we are finding more win win win photography ideas. I have a small team of sports photographers and we are shooting a lot of junior sports. We see an opportunity to bring professional quality photography to grass roots sports and to provide players and families with action shots they haven’t had access to before.

In short, we’re aiming to shoot images which make the kid the star of the image, in the same way they have seen their adult sports stars in photographs. At the same time, we are making the images affordable for the athletes and their families.

What Sports Work Best

Some sports are more suitable for than others. Indoor, fast moving sports are particularly good. Why is that?

There are three reasons

Lighting. Most indoor stadiums are not well lit so it is not easy to create strong images without the right equipment. For that reasons, these sports are not well covered at junior level and we are getting feedback that “we’ve never seen images like these”.
Fast Action. Again, sports are not easy to photograph without the right equipment and experience shooting fast moving subjects (see a separate post on that here).
Access. Often it is not practical to have spectators walking around the stadium taking photographs and so there are specific areas set aside for spectators. They are not allowed close to the action and have to sit in the grandstand. By organizing access to the competition area it’s possible to create action images which are not possible from the spectators area.

What’s the Win Win Win?

Win #1. The Kids. By using appropriate equipment, shot by an experienced photographer we create high quality action images which kids haven’t seen of themselves before. It is literally bringing pro photography to junior sports. The kids get a thrill seeing themselves in action and are quick to share on social media.

Win #2. Parents and Families Value the Images. Parents and families love seeing images of their kids in action too. Keep in mind some are willing to pay for images and some are not. If you can find sports with large participation numbers you will have a greater chance of selling more images.

Win #3 . The Clubs or Sports Organizers. The new battlefield for sports clubs is social media. That’s the primary channel they are using to promote their club and to differentiate themselves from other clubs and other sports. Win number 3 is for the club, as we are able to provide images for them to use on social media.

Can you come up with more win win win photography ideas?

Let’s Talk About an Example

Last weekend we shot a gymnastics event which had 100 kids participating from 4 different clubs. In gymnastics, only the competitors and coaches have access to the event floor. By having 2 photographers on the floor as well we were able to shoot unique images which athletes and families have not had access to before.

We shot a large number of images and have posted the best ones in password protected galleries online for parents and families to purchase.

This is what I’m looking for – more win win win photography ideas.

Can you find similar opportunities? Can you generate more win win win photography ideas?

Tips for Shooting Indoor Action Sports

Over the last 2 weeks I’ve been shooting sports events in dark stadiums. First was a fast moving basketball game and second a gymnastics session. Both are fast moving and require you to freeze the action. Here are tips for shooting indoor action sports.

Increase ISO to achieve fast shutter speeds

Tip 1. Increase ISO to Achieve Fast Shutter Speeds

The one thing you can’t get wrong when you are shooting indoor action sports is focus. To achieve this you are going to need fast shutter speeds. Given that most indoor facilities are not very well lit, tip number 1 is to be prepared to shoot at high ISO. The images in this post were shot at ISO2000 to ensure I had fast enough shutter speeds to freeze the action.

Tip 2. Look for Plain Backgrounds

The images in this post were shot at a local gymnastics club. It was difficult to shoot with a background which didn’t take the viewers attention away from the subject, as you’ll see in some of the images in this post.

Look for plain backgrounds so all the attention is on your subject

Tip 2 is to look for opportunities to shoot with plain backgrounds. To make this image I went upstairs to a viewing area and shot down towards the gymnast. By doing this I was able to use the plain color of the gymnastics floor as my background, allowing the subject to really stand out in these images.

Capturing colors can add interest to your images

Tip 3. Make Use of the Color in Your Surroundings

While the background in a gym environment is potentially distracting, it is also very colorful. I made a point of making some images which accentuated the colorful and busy environment. Keep an eye on the colors around you to see if you can create different images.

Look for moments without fast moving action

Tip 4. Look for Moments Without Fast Moving Action

Some of the strongest images from this shoot did not involve fast moving action. We were able to create some images showing the strength, flexibility and balance of gymnastics without action. Here is an example showing the gymnast stretching. Tip 4 is to look for moments without fast moving action.

I hope these tips for shooting indoor action sports are useful for you. To read about related issues please see these earlier posts

Thanks for reading tips for shooting indoor action sports. Happy shooting.

Photographing 4000 Athletes Over 3 Days

Last weekend I contributed to photographing the AASCF Winterfest event held at the Melbourne Sports and Aquatic Center. This is a cheer leading and dance event involving photographing 4000 athletes over 3 days. I posted about this job in Thoughts on Shooting for An Hourly Wage. Beforehand I hadn’t realized the scale of the event. There were 4000 athletes and 6000 spectators. This is how it worked.

Cheer and dance events are large scale. Winterfest involved photographing 4000 athletes over 3 days.

The Venue

MSAC was set up in 3 distinct arenas. One area acting as the cheer leading event hall. The second area (normally used for badminton) acting as the dance event hall. And the third area, which was normally used for basketball, was the warm up and presentation area. The stadium was looking very different to how I usually see it. Overall, it was well organised for photographing 4000 athletes over 3 days.

Photography and Videography

The Winterfest event is the first major competition in Victoria for the competitive season. There are a series of events to follow, including the State Championships in September, and the National Championships in November.

Teams are very keen to see video and photo coverage of their performance. They use them in training for upcoming events. Both photography and video are key to covering this event.

The Photography Set Up

Photography coverage was provided in the 2 event halls with photographers working in teams of two. One was shooting using a 24-70mm lens. This photographer was concentrating on shooting team images where all or most of the team were visible in the image. The other photographer was shooting using a 70-200mm lens. This photographer was concentrating on close up images of individual athletes.

Equipment

All photography equipment was provided by the national sports photography business I was shooting for. They are highly organised with each photographer having access to equipment and back ups.

As I started shooting each day I was provided with:

camera body and lens
back up camera body and lens
a bag of empty memory cards
a bag of fully charged batteries
separate bags to put full memory cards and used batteries
a pen and paper to record which teams and performances were on each memory card
a monopod
water

Photographers were provided with labelled bags for easy organisation

Managing High Image Volumes

A performance routine lasted 2 minutes and 30 seconds. For each performance both photographers will shoot 200-300 images. As a result, between the two photographers that means there were 400-600 images per performance.

At the end of each performance there was a break for 3 minutes and 30 seconds for the athletes to move off the stage, and the new athletes to enter. That means there were 10 performances per hour or 4000-6000 images shot per hour on each of the two event floors.

That’s a lot of images. To make this manageable, we were shooting small JPEG files. We began the day setting white balance in camera, and then shooting images at f3.2 and 1/800 second.

Essentially there is no post production. The sports photography company will select the best images from each performance and post those to the event folder online.

Apologies for the blurry phone photo! This is the performance area for the Cheer Leading.

Comments

I found it fascinating how the national sports photography business managed photographing 4000 athletes over 3 days. What now? The event finished on Sunday evening. They are expecting to have all the photos and videos sorted, organised and posted online by the end of this week. Very impressive! If you are interested in learning more about cheer leading and dance, or checking out the images, please visit the AASCF website.

Thoughts on Shooting for an Hourly Wage

Next weekend I will be shooting a Cheer Leading and Dance Competition for a national sports photography business. This has come about after I photographed the Australian National Gymnastics Championships and, via a series of circumstances, was put in touch with the sports photography business. They saw my gymnastics images and asked me to shoot for them at the cheer leading and dance competition. For this ‘job’ I’ll be paid an hourly rate, while the sports photography business will do all client liaison and post production. That’s very different for me, and has lead me to consider my thoughts on shooting for an hourly wage.

This opportunity has come after I photographed the Australian National Gymnastics Championships.

How’s the Event Photography Going to Work?

Cheer leading is a fast paced, action, team sport. The event will be held at a major indoor venue in Melbourne, Australia (Melbourne Sports and Aquatic Centre). I’m familiar with the venue as I’ve shot basketball there.

Each performance will be covered by two photographers positioned at different points inside the stadium. One will use a 24-70mm lens to ensure coverage of the team formations, while the other photographer will shoot close ups using a 70-200mm lens.

Who Provides the Gear?

The sports photography business provide all the equipment – including cameras, lenses and memory cards. It’s going to be strange for me to shoot an event using someone else’s gear! I’m glad that they are using Canon equipment as I’m a Canon user and will be familiar with the cameras and lenses.

So what are my thoughts on shooting for an hourly wage?

The sports photography company will provide all equipment.

The Pros of Shooting for an Hourly Wage

I can think of lots of pros for doing this job. In brief, the main pros I see are:

there’s no risk. I know exactly the financial return before I shoot the job.
my focus can be on creating strong images as there’s no client liaison to do. I enjoy getting to know my clients and to understand what they want. I also enjoy being able to focus on creating strong images. It is going to be refreshing to focus solely on creating strong images next weekend.
there’s no post production involved. I generally don’t mind post production work, but it is time consuming and often brain-numbing! I am really looking forward to being able to enjoy the event and hand over the images to the sports photography company to do the post production work.
payment will be prompt. The sports photography business pay photographers within 7 days. I have certainty about income, and payment will be prompt.
doing a good job will lead to more events. Like everyone, the sports photography company wants good people working for them. I know that a job well done will lead to more events in future.

The sports photography business are taking all the risk. I have certainty about income, but won’t make a lot from this job.

The Cons of Shooting for an Hourly Wage

Everything has pros and cons, and I can see cons to this job too. They include:

I won’t make much money. While I’m expecting it to be straight forward, the hourly rate is not high. The sports photography company are taking the risk and will also reap the reward of a job well done.
I don’t make any extra for doing a great job. In my normal client work a great job will lead to more prints or albums. That will lead to extra income. In next weekend’s event income is fixed regardless of the standard of the images.
This work is irregular. This weekend is good timing for me. It’s mid winter and my wedding work is quiet. I know that if I do a good job there will be opportunity to photograph other events. I also know these events are irregular and generally on weekends. That’s not always going to suit.

I will be focusing on creating strong images

Summary Thoughts on Shooting for an Hourly Wage

I’m looking forward to being able to just concentrate on creating strong images and let the sports photography business worry about everything else. I don’t think I could do this type of work all the time as I would miss the clients liaison and the financial upside of doing a great job.

That said, I can see the benefit of doing this work to supplement my usual income sources. I’m expecting it to be a lot of fun and a relatively low stress job. I’d like to shoot this type of event during the quieter times of the year.

So for now, I see it as a useful additional income to my business. I’ll be doing my best to shoot strong images so that the sports photography business ask me to shoot for them again.

Do you do shoots like this? What are your thoughts on shooting for an hourly wage?

5 More Lessons From Photographing Gymnastics

Coming hot on the heels of 5 Lessons from Photographing Gymnastics – here are 5 more lessons from photographing gymnastics. I learned these while shooting the Australian Gymnastics Championships in Melbourne, and hope you can use these in your own sports photography. So, what’s first in 5 more lessons from photographing gymnastics?

Look to photograph specific skills on each apparatus

Lesson 6 – Look to Photograph ‘Skill Execution’

Gymnasts learn different skills at different levels of gymnastics. As an athlete progresses up the levels they can execute more difficult activities. Among the high speed action of gymnastics championships are specific skills. Look to shoot these skills as they are meaningful to gymnasts, coaches, and gymnastics fans.

Lesson 7 – Photograph the Details Outside of the Competitive Performance

In a gymnastics competition there are lot of opportunities to shoot elements of the event outside of the actual competitive performance.

This is where a photographer can shoot very unique content. All photographers will shoot the spectacular tumbling runs in the floor routine, but it is the unique details around the competition which will make your coverage of the event stand out.

Gymnast preparing for her bar routine with chalk on her hands

There are opportunities to shoot content where:

the athlete is preparing to compete
you capture the emotion after a gymnast has completed the routine
there is interaction between gymnast and coach
there is interaction between gymnasts

Look out for these opportunities to shoot unique content. It is this detail that spectators can’t see from their seat in the grandstand.

Lesson 8 – Shoot Bursts at Fast Shutter Speeds to Freeze the Moment

Below is a unique image where I’ve managed to create the illusion of a headless gymnast! This was taken during the floor routine during one of the gymnasts tumbling runs. If you look carefully you’ll see that the gymnasts head is not visible except for a tiny part of her chin. This kind of image is unique as you can’t see this with the naked eye.

This image captures an illusion of a headless gymnast

Your best chance to achieve this type of shot is with high ISO, fast shutter speeds, and shooting in burst mode. When I looked at this image on the back of my camera during the event and was amazed to see the illusion of the headless gymnast. I thought that was very unique – but then managed to produce the same type of image with different gymnasts. And the more I studied their floor routines, the higher my chance of recreating this shot.

Pay attention to what the athletes are doing, and then shoot in burst mode at fast shutter speeds.

Lesson 9 – Use Different Backgrounds to Create Different Effects

The spectators sat on the sides of the main gymnastics floor which meant it was straightforward to shoot images with the crowd in the background. I like that style of image as the presence of the crowd helps define this event as the national championships not a local club event.

The black curtains at the end of the gymnastics floor enabled me to shoot a different style of image

At the ends of the gymnastics floor were large black curtains to separate the warm up area from the main arena. I hadn’t expected to be able to isolate the gymnast against plain backgrounds like this. It was fun creating different styles of images against different backgrounds.

Lesson 9 of my 5 more lessons from photographing gymnastics is to use different backgrounds to create different images. Is this something you can use in your sports photography?

Lesson 10 – Use Different Angles to Isolate Action

This image was shot during the warm up phase with athletes and coaches behind the apparatus waiting for their turn. I shot a range of images where the other people were visible in the image – it documented the event as it happened.

Getting a low angle enables me to isolate the gymnast against the background during warm up

I then experimented with different angles and lenses to create different styles of images. I like this low angle perspective. We have no distracting people in the background. What are we left with? An athlete doing her warm up, isolated against a plain black background. What the spectators saw from the stands was a lot of activity on the floor. What I saw in this image was like the athletes perspective – oblivious to all the activity around them and focused on their own performance.

Experiment with angles to create different images.

Thanks for reading 5 more lessons from photographing gymnastics. I hope you can apply them to your own sports photography. If you’d like to learn more about gymnastics check out the Gymnastics Australia website.